VARIOUS PUBLISHERS

PANICO TOTALE
Book by Alessandra Ioalé edited by Spectre

96 colour pages.

LARGEMOUTHS
Book of Gabriel Delmas edited by Hollow Press

Size 16 x 21,5 cm
688 black and white pages

XUWWUU - A FURVERT FAIRYTALE
Book of Gabriel Delmas edited by Hollow Press

Printed in size 17 x 24 cm on TINTORETTO paper 200g
28 colour pages

XUWWUU - A FURVERT FAIRYTALE
Book of Gabriel Delmas edited by Hollow Press

Printed in size 30 x 42 cmon TINTORETTO paper 350g
28 colour pages

DEN DWELLERS #1
Book of Henri Dumas edited by Hollow Press

Size of the box 17x19,5cm
20 black and white pages

V∴V∴V∴V∴ SUBTERRANEAN CENTRIFUGE
Book of Henri Dumas edited by Hollow Press

size of the box 17x24cm
20 black and white pages

VIVONO IN ME
by Jesse Jacobs

Published by Hollow Press in April 2017
Limited at only 500 copies (italian edition)
Off-set print
Printed in an A4 format on 170g paper
32 pages + B/W cover (soft spine + hard frontcover and backcover

GRRRz Comic Art Books presents Changes by Mp5

64 boards in box set + 2, size cm 22x22, b/w, 600 numbered copies.

The I-ching, known as the book of Changes, is a chinese oracular book wrote about the year 1000 b.c.
The text is composed of 64 judgments, oracles that represent the possible states of the cosmos change.


Changes is the visual investigation of Mp5 inspired by the 64 judgments of the I-ching.

For indisputable artist's request, the boards are packed in ascending order corresponding to thaone of the hexagrams of the I-ching, from the first to the sixty-fourth, but they are not numbered.
The collector who wants to keep intact the initial order must not mix the boards.
This request preserves the work to resemble the reality, where everyone can take an ordered system and mix it how he likes, causing and experiencing the change, and the risk to reach the beauty of chaos.

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NEMO'S - H2O
by NemO's

Through fifteen consecutive and visionary drawings the consequences of water waste turn into a sci-fi hallucination.
To produce 1 l bottle of water, we consume 4 litres of water, for a 33 cl Coca Cola can, we consume 200 litres, 300 for a glass of beer. While people are dying for the consequences of drought, every year in Italy we use 250 million litres of water for the attractions of an amusement park like Gardaland. These are only a few data assessing the daily waste of our civilised society and feature in the new book of Nemo’s, which opens with a familiar character sucking a straw. We have seen him looking at us from the building walls of our cities and we have met him in the volume Who is Nemo’s, published by #logosedizioni in 2016. He’s the incarnation of the modern man. The straw, twisting and turning in a horizontal direction through 15 drawings that can be placed one next to the other, crawls on the ground and turns into a two-coloured piping that stretches to virtually sew, like a thread, all the pages. The man draws water from the planet through the straw, while the piping spreads until it forms a tangled forest. The piping coming from a petrol distributor, from a coffee machine, pipes connected to the watering-can he carries on his shoulders while working in the fields… The pipes do not leave the man alone, not even when he’s fulfilling his physical needs, and continue to twist around him while he cleans the floor or sits in the bathtub. The generally well concealed piping surrounding us comes to the surface, revealing how we actually employ our most precious resource in every-day situations.

15 colors prints in a cardboard box
Softcover with flaps and fold-outs
24,0 x 34,0 cm

NEMO'S - WHO IS NEMO’S
by NemO's

A collection of drawings, but above all of the thoughts of this young Italian street artist that looks at the daily life around him from a critical and informed perspective, translating it into images through his peculiar macabre and cynical humour.
His expressive urge is mainly inspired by the wonder aroused by the human potential and at the same time by the repulsion for the so-called “civilized” society that we have managed to create; a society which oppresses, humiliates us and turns us into mere cannon fodder, imprisoning us inside our bulky materiality and into a spasmodic search for perfection and immortality. It is no accident that the protagonists of his works are mainly naked bodies, misshapen and with flaccid skin, often tied, torn apart and caged, and always defenceless and disoriented victims of their degrading human condition. The contradictions, iniquities and deceptions of the world where we are obliged to live therefore take the shape of nightmares that insinuate in the mind and the soul of the spectators in the hope to awaken their desire for redemption.
The choice of street art as an expressive medium precisely derives from the will to extend the communicative potential of pictures as much as possible, immersing them in the city structure in order to democratically involve the people that avail themselves of it and share sensations and thoughts with them.

176 color pages
Softcover with flaps and fold-outs
19,0 x 23,5 cm

Fatherland
A Family History
di Nina Bunjevac

Standing alongside Marjane Satrapi's Persepolis and Joe Sacco's Palestine, Nina Bunjevac's Fatherland renders the searing history of the Balkans in the twentieth century through the experiences of the author and her family. In 1975, fearing her husband s growing fanaticism, Nina Bunjevac's mother fled her marriage and adopted country of Canada, taking Nina then only a toddler and her older sister back to Yugoslavia to live with her parents. Her husband and Nina's father, Peter, was a die-hard Serbian nationalist who was forced to leave his country in the 1950s. Remaining in Canada, he became involved with a terrorist organization bent on overthrowing the Communist Yugoslav government and attacking its supporters in North America. Then in 1977, while his family was still in Yugoslovia, Peter was killed in an accidental explosion while building a bomb. Through exquisite and haunting black-and-white art, Nina Bunjevac documents the immediate circumstances surrounding her father's death and provides a sweeping account of the former Yugoslovia under Fascism and Communism, telling an unforgettable true story of how the scars of history are borne by family and nation alike."

160 pages
Hardcover
24 x 17
Rizzoli
Lizard
Available only in Italian language

PALLA
Book of Paolo Bacilieri edited by Hollow Press

Printed in A5 format on 170g paper
56 black and white pages + "Flesh Pink" pantone
Hard cover

CHAIN
Book of Paolo Massagli edited by Hollow Press

Size 15x21 cm on 170g paper
Printed in A5 format
16 Black & grey pages

IL PASTO NUDO
by Gianluca Lerici aka Professor Bad Trip
BOOK + SILKSCREEN

Limited edition of 250 numbered copies with included silkscreen cm.19x28 with a portrait
of W.S. Burroughs realised by Gianluca Lerici in 1991.
The screen print is handmade by La Luce Rossa in red color on Favini Sahara Ivory paper 240 gr.
Shake Edizioni, second edition 2022

Book size: 21x29,7 cm.
Silkscreen size: 19x28 cm.
Pages: 112
Color: Black and white
Features: Soft cover with flaps